Las presentaciones de INGENIO 2020 están abiertas hasta el 8 de julio
INGENIO 2020 en asociación con Teatros Unidos
A través de INGENIO, buscamos crear un espacio donde los dramaturgos latinos / a / x de todas las razas puedan desarrollar sus obras en un ambiente seguro y con apoyo de mentores y artistas con quienes puedan relacionarse. INGENIO sirve como un paso intrínseco en la creación de nuevas obras teatrales de larga duración. Los ensayos y talleres culminan en lecturas y sesiones de retroalimentación con audiencias de profesionales del teatro y miembros del público.
Debido a la continua incertidumbre con respecto a la pandemia, INGENIO 2020 se trasladará al ámbito digital, con ensayos, talleres y lecturas en línea. INGENIO 2020 ofrecerá la oportunidad de colaboración más allá de las limitaciones geográficas, ya que Milagro producirá el festival de este año en asociación con Teatros Unidos, un colectivo emergente y en crecimiento de organizaciones de teatro latinx.
Teatros Unidos consta de: Baktun12, Borderlands Theatre, Cara Mia Theatre Co., Milagro, Teatro Alebrijes, Teatro Bravo, Teatro Vivo, Teatro Luna West, Teatro Nagual, Teatro Visión, TuYo Theatre y Urban Theater Company.
Convocatoria para presentaciones
INGENIO 2020 tendrá lugar del 25 de septiembre al 4 de octubre de 2020 y aceptaremos envíos de guiones hasta el 8 de julio. Se seleccionarán obras, se asignarán directores y actores, se ensayarán y se presentarán como lecturas virtuales.
REGLAS GENERALES
- Abierto a todos los dramaturgos latinos / a / identificados
- Jugadas originales de larga duración, al menos 70 minutos y no más de dos horas de duración.
- Las obras pueden ser en inglés, español o bilingüe.
- Las obras con más de ocho actores requerirán duplicarse; se les pide a los dramaturgos que proporcionen un desglose de lanzamiento preferido
- Se considerarán los musicales de cámara.
- Las obras publicadas y las que han recibido, o están programadas para recibir, una producción profesional completa no son elegibles
- Se recomienda encarecidamente a los dramaturgos que participen y asistan.
ENTREGAR
- Los guiones deben estar en formato PDF y deben seguir el formato de juego tradicional o moderno de Dramatist Guild’s of America. Aparte de la portada, el guión no tendrá información de identificación sobre el dramaturgo.
- Incluya la biografía del dramaturgo (90 palabras), la sinopsis del juego (150 palabras) y el historial de desarrollo del juego, si corresponde.
- Envíe por correo electrónico a ingenio@milagro.org antes de las 5pm (PST) / 7pm (CST) / 8pm (EST) el 8 de julio de 2020. Los dramaturgos seleccionados serán notificados antes del 7 de septiembre de 2020.
- Para preguntas, envíe un correo electrónico a la gerente de proyectos, Maya Malán-González maya@milagro.org
Teatros Unidos is an emerging and growing collective of Teatros and BIPOC Theatre organizations that uplift and give voice to their historically silenced communities by producing plays, multicultural and multigenerational community programs.
The coronavirus pandemic has shed light on prevailing inequities in all facets of American life. Facing uncertainty and loss of earned income, Milagro reached out to Latinx theatres from across the country to come together to share their experiences and challenges and promote each other’s work. Through this initiative, Teatros Unidos was born. The group includes 14 Latinx theatre ensembles who share resources, information, and creative work. Since May 2020, Teatros Unidos has been meeting bi-weekly and is committed to expanding the circle through and beyond the immediate aftermath of the pandemic. Although there are resources for individual Latinx artists to come together, this is the only National Teatro collaboration that exists. The group includes Baktun12 (Salinas, CA), Borderlands Theater (Tucson, AZ), Cara Mía Theatre Company (Dallas, TX), In The Margin Theatre (Sacramento, CA), Milagro (Portland, OR), Teatro Alebrijes (San Jose, CA), Teatro Bravo (Phoenix, AZ), Teatro Luna West (Los Angeles, CA), Teatro Nagual (Sacramento, CA), Teatro Visión (San Jose, CA), Teatro Vivo (Austin, TX), TuYo Theatre (San Diego, CA), and UrbanTheater Company (Chicago, IL).
Baktun 12 is an East Salinas theater and media arts organization committed to the cultivation of oral histories and community actions that empower working families throughout the Salinas Valley and beyond. In the spirit of El Teatro Campesino, they use live street Teatro activations to engage farmworker communities in dialogue that leads to civic action. Baktun12 stays current with local and national social justice movements by documenting local stories of struggle and producing protest media that is released on social media and through its podcast B12 Live.
www.baktun12.com
Borderlands Theater is a professional theater ensemble recognized nationally and internationally for the development and production of theater and creative placemaking programs that reflect the Mexican/Chicanx/Indigenous heritage and border culture of the Sonora Desert region. The “border,” both as physical and social landscape, is a metaphor for Borderlands’ work. The metaphor allows, invites and even demands, both a regional and an international understanding of what it represents. Border people, in the best sense of the word, are citizens of the world. http://www.borderlandstheater.or
Cara Mía Theatre inspires and engages people to uplift their communities through transformative Latinx theatre, multicultural youth arts experiences and community action. CMT is a cultural resource in Dallas and North Texas as the largest Latinx theatre company in the state primarily serving the Dallas population which is over 43% Latinx. caramiatheatre.org
In The Margin (ITM) Theatre is a collective of artists dedicated to creating new and engaging works that cater to and authentically represent marginalized communities. ITM works in collaboration with partnering companies and ensemble members to curate projects in pursuit of their mission to provide productions that bolster and enrich the presence of marginalized artists. It is ITM’s hope that the intersectional narratives they present will foster proggresive dialogue and incite the change needed to secure the future our descendants deserve and our ancestors would be proud of. For more information please visit www.inthemargintheatre.org
Follow ITM on social media. IG: @inthemargintheatre | FB: @inthemargintheatreproductions | Twitter: @in_the_margin | Twitch: https://www.twitch.tv/inthemargin
Milagro merges the highest aesthetic ideals with social responsibility, continuing a long tradition of innovative programming to meet the needs of the nation’s diverse artists and audiences. Through a rich variety of creative programs, Milagro has given voice to issues affecting the local and national Latino community. Since its founding in 1985, Milagro has filled a unique program niche while building a solid reputation. The organization works in three distinct areas: Milagro MainStage, fully mounted productions in English, Spanish and bilingual; Teatro Milagro, an international educational bilingual touring program; and Community Artes, creative engagement programming at El Centro Milagro and in the field. The organization’s mission is to provide extraordinary Latino theatre, culture, and arts education experiences for the enrichment of all communities. Milagro’s vision is to be a Latino arts epicenter inspiring a new generation of art, artists, and patrons from around the world. To learn more about Milagro please visit https://2020.milagro.org/ .
Teatro Luna West Teatro Luna (Chicago) and Teatro Luna West (Los Angeles) are virtual and physical centers that specialize in creative collaboration. Founded in 2000, we continue to create award-winning original performances, digital media, and cultural disruptions that empower Women of Color and change the world for good. Check out our latest collaboration, where we partnered with Audible Originals to create TALKING WHILE FEMALE & OTHER DANGEROUS ACTS – a collection of stories on risk and resilience by Latinas across the United States which was released April 2019. For more info please visit www.teatrolunawest.org follow us on facebook, instagram, or twitter.
Teatro Vivo, based in Austin, TX, is dedicated to producing quality bilingual theater accessible to all theater audiences and artists. Teatro Vivo reflects the heart and soul of the Latino reality by opening a unique window for all to share in this experience. teatrovivo.org
TuYo Theatre’s mission is to create and produce theatre in the San Diego area that tells stories from and by diverse Latinx perspectives. TuYo is committed to professional artistic rigor, forging authentic connections, and furthering the discourses that affect the Latinx community.
PLAYS & PLAYWRIGHTS
The Play You Want
Fed-up by the theatre world’s desires to box him in, Mexican playwright Lucas Cubría sarcastically pitches “Nar-Cocos” a play about drug dealers on Día de los Muertos. Much to his surprise, the Public Theatre picks it up. With financial pressures mounting and a newborn at home, this is his chance at commercial success. But when Scott Rudin offers him a Broadway run on the condition he further exploits his identity and the headlines, he must decide just how much he’s willing to compromise in order to finally be accepted.
Bernardo Cubrîa (Playwright) was recently nominated for best playwright atThe Ovation Awards, Stage Raw Awards and The Los Angeles Drama Critics Circle Awards for his play The Giant Void In My Soul. The play is receiving its Regional Premiere at Stages Repertory Theatre in Houston, Texas in 2021 and its International Premiere at Foro Shakespeare in Mexico City in 2021. The play received a reading at Circle in the Square on Broadway in 2019. He was the co-writer of the short Spanish Class that won Best Comedy at The NBC Universal Shorts Awards in 2018. He is currently working on a screenplay with Gina Rodriguez for her production company “I Can and I Will.”
Sancocho
Caridad and Renata get together to discuss their sick father’s will. They are 25 years apart from each other so talking business and family matters is not something that these sisters are accustomed to doing. To relieve some of the tension, Renata visits Caridad while she is making sancocho. The preparation of the sancocho leads the sisters through a journey of their culture womanhood, inheritance, transgenerational trauma, family history, and untold stories. All is well until Caridad’s drinking causes her to spill some beans about their father’s past, revealing a huge secret that will ultimately change the conditions of their father’s will. Sancocho is a story about legacy, what we inherit, and what we leave behind. It testifies that everything in life is Consequential.
Christin Eve Cato (Playwright) is a playwright and performer. She is currently pursuing an MFA in Playwriting at Indiana University. Having a Puerto Rican and Jamaican background, Cato’s artistic style is heavily influenced by Caribbean culture and the Afrolatino diaspora. Her plays include: Stoop Pigeons (2020 O’Neill NPC Semi-Finalist); jelly beans (Indiana University); What’s Up With Marjorie? (Teatro Vivo); From Hunts Point To Whitlock (Pregones Theater/Harlem9); Smacked-Up Love (Indiana University); and Just A Visit (“More Than Maria” Festival @ Play Your Part Seattle).
spayce boys
spayce boys is the tale of two queer, brown boys who embark on an Odyssey-esque adventure into outerspace to heal, discover their true selves, lean into community and so much more along the way. Iggy and Oñio have never spoken to each other at school but Oñio takes matters into his own hands when he sees how “small” and “squished” Iggy looks. After sneaking into Iggy’s room late at night, Oñio convinces Iggy to follow him onto the roof where the greater Queer forces take control. Once in outer space, Oñio has an itinerary to stick to in order to ensure Iggy makes it out anew by the time the sun rises. But when unspoken tensions between the boys bubble up and mix with the cataclysmic atmosphere of the adventure, both boys find new parts of themselves and a renewed purpose in their life on earth.
Mateo Hernandez (Playwright) (they/he/them/him) is a queer, Chicanx actor, writer, teaching artist based in Chicago, IL. spayce boys is their first full length play and they are so excited to continue its development. As a teaching artist he has worked with companies such as Goodman Theatre, Chicago Children’s Theatre, and Creative Action. Mateo is a company member of FYI (For Youth Inquiry), a performance company making participatory experiences around reproductive justice for young people. They hold a BFA in Theatre Studies from The University of Texas at Austin.
Sabor
Sabor is a mixed-race story of a young woman, Clara, in search of her place of belonging in the elite culinary world, and among the men in her life. After the passing of her abuelo, she makes drastic life changes; quitting the French Michelin-star restaurant in Manhattan and borrowing money from her Nuyorican father, a wealthy and emotionally detached restauranteur, to start her own catering business in Queens. With the business on the brink of failure and the deadline to pay her father back approaching, she becomes immersed in romance, sex, whiskey, and a desperate need to find her palate profile. After several visits from her abuelo’s spirit, consisting of music, home videos, historical images, and reliving the moment when he first taught Clara how to cook arroz con gandules, she and her father begin to create their own language with food.
AnaSofîa Villanueva (Playwright) AnaSofía Villanueva is a writer-producer-director-activist. AnaSofía is the author of the Power Dynamics Series for MinnesotaPlaylist, a member of The Performance Collective with the Center for Performing Arts, and creative producer for ALMA-Alliance of Latinx Minnesota Artists. AnaSofía has had a reading of her play, Sabor, with ALMA and, TENGO VOZ, at Mixed Blood Theatre. While in residency at the University of Idaho, three of her plays were produced: Amor del Alma, EXOTIC, and POLLUX, to which she received a certificate of merit in playwrighting from the Kennedy Center American College Theatre Festival for EXOTIC.
Saints Go Marching
Jo’s grandfather—a decorated veteran—has died, leaving emotional wreckage and unpaid debts in his wake. As she prepares for the funeral, Jo’s heart is set on keeping grandpa’s burial flag; to get it, she’ll have to deal with her despondent mother, an attempted exorcism, and competition from a secret aunt young enough to be her little sister. It won’t be easy, but nothing an aspiring saint like Jo can’t handle.
Matt Barbot (Playwright) is a writer from Brooklyn, NY. His play EL COQUÍ ESPECTACULAR AND THE BOTTLE OF DOOM received its world premiere at Two River Theater in January of 2018. PRINCESS CLARA OF LOISAIDA and SAINTS GO MARCHING were selected to feature on Steppenwolf’s The Mix list. THE VENETIANS was a winner of Roundabout Theatre Company’s 2019 Columbia@Roundabout New Play Series. Matt’s first play for young audiences, STOO’S FAMOUS MARTIAN AMERICAN GUMBO, was commissioned by Peppercorn Theatre and produced in Summer 2019. Matt received his MFA from Columbia University, and was a New York Theatre Workshop 2050 Fellow and a member of The Civilians’ R&D Group.
City Without Altar
City Without Altar is a two-act play in verse which seeks to amplify the voices and experiences of victims, survivors and living ancestors of the 1937 Haitian Massacre that occurred along the northwest Dominican/Haitian border during the Trujillo Era. The play follows the chronological timeline of events that occurred before, during and after the massacre. Using monologues, montages and vignettes, the chorus of voices, created and imagined from interview transcripts, news articles, and scholarly books, tell the stories regularly omitted and erased from this often ignored history. The role/voice of the Machete acts as a very complex antagonist we are not sure whether to hate or feel sorry for. Maria’s journal entries seek to represent the voice of innocence and those left behind who though not physically harmed are left to grieve their losses and make sense of the scars that endure.
Jasminne Mendez (Playwright) is a Dominican-American award-winning author, poet, playwright, and actress. She’s an MFA creative writing graduate from the Rainier Writing Workshop. Mendez’s plays include the one-act Chronic Brevity which received a staged reading at The Globe Theatre’s New Playwrights Festival in Odessa, TX and the choreo-poem play City Without Altar which was selected as part of the Stages Theatre Sin Muros Latinx Theatre Festival. She recently directed a staged reading of Adrienne Dawe’s new play Teen Dad and is currently the Program Coordinator for the Young Artists Conservatory at Stages Theatre.